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After delivering acclaimed projects like Delhi Belly, 24, Blackmail and the recently released web series Brown, filmmaker Abhinay Deo is back with Doosra. The film not only chronicles key moments from Sourav Ganguly’s illustrious cricketing career, culminating in India’s historic victory over England in the 2002 NatWest Series final, but also follows the parallel journey of Tara (Plabita Borthakur), a young girl growing up in a deeply conservative household in Rajasthan. In an exclusive interview with Bollywood Hungama, Abhinay Deo opened up about the making of Doosra, its unusual narrative, the reasons behind its prolonged delay and a lot more. At the very beginning of the film, we see that Subhash Ghai, Jisshu U Sengupta and Bhushan Kumar have been thanked. Could you tell us how they contributed to Doosra? We thanked Mr Subhash Ghai because he invited us to Celebrating Cinema, a festival held at his institute, Whistling Woods International. He loved the trailer of Doosra so much tha...

Kritika Kamra has consistently gravitated towards female characters that exist beyond easy definitions, choosing roles that allow her to explore women with contradictions, agency and an inner strength of their own. From characters that have challenged convention to women negotiating complicated emotional and social realities, her filmography has reflected a clear affinity for layered female protagonists. Gulrukh in Matka King is yet another addition to that spectrum. Having won appreciation for her portrayal in Season 1, Kritika is now returning as Gulrukh for the second season, with the character poised to take on an even more prominent role in the story. For Kritika, what makes Gulrukh particularly significant is the fact that her strength is not presented in a conventional or straightforward manner. She is a woman shaped by her circumstances, but equally someone who learns to exercise agency within them. “I’ve always been drawn to women who are complicated, who have contradictions ...

Hunkkaar: The Roar, which was released last month, has received appreciation for its subject, treatment and performances. Moreover, there was tremendous curiosity surrounding the web series due to the presence of Aneet Padda, who became a huge sensation after the release of Saiyaara (2025). In an exclusive interview with Bollywood Hungama, Heeraz Marfatia, who developed the show, served as its lead writer, co-wrote all six episodes and directed the third and fourth episodes, spoke about the process of creating Hunkkaar: The Roar, Aneet Padda's casting and a lot more. How has life changed since the release of Hunkkaar: The Roar? The phone has just not stopped ringing (smiles). I have always believed in being courageous and never settling for what is ‘acceptable’ to a larger audience. I had made a short film called Birju more than two decades ago, which was Oscar-nominated. There were no stakes involved; it was just me making a sincere beginning to my filmmaking journey. Post Hunkka...

Ramesh Taurani and Kumar Taurani spoke to Komal Nahta about remixes and recreated versions of old songs. While many believe that recreations are a worrying trend and that music composers should focus only on original compositions, Kumar Taurani had a different take. He said, “More recreations should be made. Every film should have recreated songs. Certain classic songs have a long legacy, have been promoted extensively and enjoy strong recall value. When these songs are presented in a new avatar, they tend to work big time. This happened with the recreated versions of ‘Chunari Chunari’ (Hai Jawani Toh Ishq Hona Hai; 2026) and ‘Chamma Chamma’ (Fraud Saiyaan; 2019). Recently, ‘Aankhon Se Tune 2.0’ (Bhai Tera Star Hai; 2026) also worked. Usually, songs would get around 20,000 streams. But after being recreated, their streams suddenly jumped into the millions! This benefits the original versions as well.” Ramesh Taurani added, “There was a film called Crew (2024). Two of its songs became ...

Ramesh Taurani and Kumar Taurani spoke to Komal Nahta and urged actors to sign more films. Ramesh Taurani said, “In the olden days, we used to promote our films extensively, put up hoardings, publish posters in film magazines, play the songs on TV and radio, etc. Hence, actors used to get excited when signing a film produced by a music company. We used to just share one-line idea of the story and at times, actors agreed to do the film over a phone call and without even physically meeting us. Woh bharosa tha aur luckily, woh bharosa rang laaya kyunki hamari sab picturein chali.” Kumar Taurani then said, “Now, actors are very panicky, fearing that their film might flop. Actors should continue working, even if they deliver a couple of flops. They should not fear and should do at least 2-3 movies a year. At the same time, they should also be economical with the producers. From what I know, the actors and director of Dhurandhar opted for profit sharing; their upfront fees were not much.” R...

The makers of Pehla Pyaar Doosri Baar have released a new song titled ‘Jaane Kis Mod Pe’, featuring vocals by Darshan Raval. The track captures the anticipation, nostalgia and excitement of young love, offering a glimpse into the film’s themes of friendship, romance and second chances. The film features Sparsh Walia, Alisha Chopra, Kunal Vaid, Sakshi Vaidya, Tushar Chhibber and Sargun Kaur Luthra, who are making their debuts with the project. Composed by Rochak Kohli and penned by lyricist Gurpreet Saini, ‘Jaane Kis Mod Pe’ follows three friends as they embark on a road trip to attend their school reunion. Their journey is driven by the possibility of meeting their first crushes again, bringing a sense of anticipation about what awaits them along the way. The song reflects the uncertainty of revisiting the past and wondering whether old feelings could find a new beginning. With its breezy sound and youthful mood, the track brings together the film’s focus on friendship and romance. It...